Shawn DeSouza-Coelho

I'm an award-winning actor, scholar, author, magician, and stage manager. I'm currently a PhD candidate at York University, studying how racialized performers negotiate hegemonic theatrical space within the Southern Ontario theatre industry. My aim is to use that understanding to inform Equity, Diversity, Inclusivity and Decolonization policy changes related to safety in the Canadian theatre industry broadly. Throughout my Canadian theatrical education/career, I have existed squarely within a Western colonial framework, a framework that has at times whispered and at times screamed the limits of my brown, Indo-Guyanese world. My career is now focused on breaking free of and dismantling those limits for myself and those like me.

This is my life and work. Welcome.

Actor/Stage Manager

Theatre has taken me across Canada with such companies as MT Space, Tottering Biped Theatre, MetaPhysical Theatre, Canadian Stage, and the Stratford Festival, as well as to the Ottawa, Toronto, Saskatoon, Winnipeg, and Edmonton Fringes.

Scholar

Recipient of a Canada Graduate Scholarship, I've helped author articles in The Journal of Shakespeare Apppropriation, Digital Humanities Quarterly, and Visual Communication, as well as produce work for Staging Better Futures and Digital Oral Histories for Reconciliation.

Author

I've published two books, Whenever You're Ready and Magic as Medium, and my plays have been produced across Canada. I write poetry to raise money for food banks and created The PoeTree, an installation fostering literary and emotional exchange.

Magician

Having spent two decades performing for universities, colleges, and corporations across Southern Ontario, my work now attempts to push the boundaries of magic as a unique and beautiful art form.

Current Work

kicked in the end: a magic show

After an incredible run in Winnipeg, Saskatoon, and Edmonton, the kicked in the end tour has officially ended. It has been such a fruitful, bittersweet joy to share this show with so many people and the response has been overwhelming. Critical acclaim, an award, some book sales, and most importantly, countless people expressing their gratitude for this show existing, for its message, and for the courage it takes to say it in this way. This has always been much more than a mere magic show. A fellow magician I had the great fortune of meeting in Winnipeg, Rob Teszka, put it thusly:

I can't stop thinking about it. This goes beyond "a clever magic show"; it's carefully constructed, intricately plotted, intelligent, emotional, and thought-provoking. Shawn DeSouza-Coelho is an -effective- presence onstage, straining against the artificial boundaries of magic and theatre and society. He moves with intent through a wide range: excited and high-energy, academic and contemplative, frustrated and raw . . . I want to give nothing away--and everything sets up everything else. It's a portrait and an argument, a story and a puzzle box. I found myself questioning my own experience of the performance, unsure of what could be possible. You can expect surprise in a magic show: but I've *never* been surprised like this.

Check out some more reviews below. I am sincerely thankful to everyone that helped make this tour possible. The show will be back for two days in Toronto soon. Stay tuned for more information!

a tour-de-force one-man show with a stage magician's charm and a spoken-word poet's cadence and power
★★★★★, Winnipeg Free Press
From quick-witted magician's patter delivered like a rockstar auctioneer to poetic, philosophical stories and reflections, DeSouza-Coelho redefines what a magic show can be.
★★★★★, Saskatoon Star Phoenix
The structure of the show . . . had me feeling as if I discovered my own problematic beliefs
Ephemeral Pleasures
This show was BRILLIANT ... a powerful message about the nature of theatre
The Jenny Revue
a surprising myriad revelation that is unquestionably unique and bold
Culture Gecko
This show pairs impressive tricks with an incredible story. Go see it.
101.5 UMFM

Books

Landing Page

Whenever You're Ready

Backstage with one of Canada's greatest stage managers.

Whenever You're Ready is an intimate account of the career of Nora Polley, who — in her 52 years at the Stratford Festival — has learned from, worked with, and cared for some of the greatest directors, actors, stage managers, and productions in Canadian theatrical history. In so doing, Nora became one of the greatest stage managers this country has ever seen.

Here is an account of the Stratford Festival's history like no other. From her childhood forays into a theater her father, Victor, worked tirelessly to help maintain, to her unexpected apprenticeship and the equally unexpected 40 years of stage management it ushered in, this is the Stratford Festival seen exclusively through Nora's eyes. Here is an immersive account of a life spent in service of the theater, told from the ground floor: where actors struggle with lines and anxieties, where directors lose themselves in the work, where the next season is always uncertain, and where Nora — a stage manager, a custodian, a confidante, a pillar, a rock — finds her rhythm, her patience, her perseverance, her love, her consistency, and her invisibility. These are the qualities that make a stage manager great and, whenever you're ready, this book will show you why.

Available at ECW Press, Chapters, Amazon, and wherever else books are sold!

Landing Page

Magic as Medium

Why is magic seen only as light entertainment?

Magic as Medium is an introduction to linguistics, semiotics, phenomenology and the meaning of art, all through the lens of magic and theatre. It explores the space between the ideal and the real. It prods at the moment of astonishment.

Citing a vast compilation of work from magicians such as Paul Harris, Eugene Burger, Max Maven and Derek DelGaudio, Shawn DeSouza-Coelho dissects the writings of philosophy giants from the past 100 years and considers their works alongside and amidst magic. From Saussure and Lacan to Barthes and Heidegger, Magic as Medium offers a rigorous and wholly unique critique of magic, and a compelling commentary on art.

Each book includes a production script for one of Shawn's theatre performances, Oh, Ryan, which first premiered at the 2011 SummerWorks Theatre Festival.

Available at Ultra Neat, Vanishing Inc., Tannen's, and various magic suppliers!

Academic Projects

Current Projects

Playing Race Critically: Embodied Negotiation of Racialized Theatrical Space in the Southern Ontario Theatre Industry, 2005-2023

Doctoral Dissertation, Ongoing

The aim of my dissertation is to articulate and deepen our understanding of how racialized performers negotiate theatrical space within the Southern Ontario theatre industry and to use that understanding to inform Equity, Diversity, Inclusion, and Decolonization policy changes related to safety in the Canadian theatre industry broadly. Three questions guide this program of study: How exactly are the bodies of performers taken up and produced at the intersection of race and theatrical space? How might racialized performers negotiate theatrical space for themselves within the theatre industry? In what ways might the performer’s body, as a site of the fundamental tension between theatrical practice and race as technology, serve as a means of interrogating and dismantling that tension?

Staging Better Futures / Mettre en scène de meilleurs avenirs

Governance Committee Member, Student Caucus Co-Convener, and Knowledge Synthesis Cluster Member

Staging Better Futures/Mettre en scène de meilleurs avenirs (SBF/MSMA) is a new, cross-Canada, cross-sectoral, multi-lingual knowledge co-creation and mobilization partnership that responds directly and explicitly to public calls for action against colonialism, racism, cis-male-hetero-centrism, ableism, and linguistic majoritarianism in post-secondary theatre training in Canada. Indigenous, racialized, diversely gendered, disabled, Deaf, and linguistically minoritized theatre students in Canada are poorly served by colonially inflected curricula; lack of representational mentorship; coercive and harmful pedagogies, and lack of access to training in French and other minoritized languages. Students, precariously employed artist-educators, theatre companies, professional theatre and inter-arts associations, and the post-secondary sector itself have issued public calls for change; but the labour of decolonizing, anti-racist, equitable, diverse, and inclusive (DC/AR/EDI) pedagogy still falls to precariously employed, minoritized artist-educators. Post-secondary theatre institutions are neither integrating these experts' knowledge into teaching practices and curricula, nor addressing the structural barriers facing minoritized students and educators. Systemic change is urgently needed; but the post-secondary theatre sector can neither understand the barriers to DC/AR/EDI operational within it, nor develop effective means of addressing them, without partnering with and centring the voices of the communities calling for change.

Past Projects

Digital Oral Histories for Reconciliation

CAD Modeler, Research Assistant

DOHR (Digital Oral Histories for Reconciliation) is a community-based partnership among former residents of the Nova Scotia Home for Colored Children, the Nova Scotia Home for Colored Children Restorative Inquiry, Victims of Institutional Child Exploitation Society (VOICES), educators, historians, legal experts, and gaming specialists. We use emerging virtual reality technology to produce former residents’ oral histories for use in schools. DOHR represents the desire to open doors to the possibilities of virtual reality for educating young people about historical harms and for building just relations across generational and cultural divides. DOHR will assess how virtual reality may work to engage young people with the personal storytelling of survivors of the NSHCC. Survivors and young people will walk together through the changing historical landscape of the NSHCC and of race relations in that province.

Simulated Environment for Theatre

CAD Modeler, Research Assistant

The Simulated Environment for Theatre (SET) was a digital system for navigating between theatrical text and performance. Its combined 2D-3D-4D interface operated as a sketchbook for planning performances, a rehearsal log, a promptbook, a show report, a performance reconstruction, an edition, or a virtual performance in itself. Designed and developed by a multidisciplinary team of researchers, SET used the Unity game engine to allow users to create digital texts and performance environments and play them back simultaneously.

Scholarship

Published Articles

Roberts-Smith, Jennifer, Shawn DeSouza-Coelho, “Shakespeare, Game, and Play in Digital Pedagogical Shakespeare Games.” Games and Theatre in Shakespeare's England. Eds. Tom Bishop, Gina Bloom, and Erika T. Lin. Amsterdam University Press, 2021. 275-301.

Roberts-Smith, Jennifer, Shawn DeSouza-Coelho, Paul Stoesser, and the SET Research Team. “Cambridge Revisited? Methodological and Phenomenological Theatricalities in Simulated Environments for Theatre History Research.” Early Modern Studies and the Digital Turn. New Technologies in Medieval and Renaissance Studies. Eds. Laura Estill, Diane Jakacki, and Michael Ullyot. Iter Press, 2016. 318-344.

Roberts-Smith, Jennifer, Shawn DeSouza-Coelho and Toby Malone. “Staging Shakespeare in Social Games: Towards a Theory of Theatrical Game Design.” Borrowers and Lenders: The Journal of Shakespeare Appropriation. 10.1 Special Issue: Social Media Shakespeare. Eds. Maurizio Calbi and Stephen O'Neill. 2016.

Kovacs, Sasha, Jennifer Roberts-Smith, and the SET Research team. “An Interactive Materialist-Semiotic Archive: Visualizing the Canadian Theatrical Canon in the Simulated Environment for Theatre.” Cultural Mapping and the Digital Sphere. Eds. Ruth Panofsky and Kathleen Kellett. University of Alberta Press, 2015. 51-88

Roberts-Smith, Jennifer, Shawn DeSouza-Coelho, and the SET Research Team. “SET Free: Breaking the Rules in a Processual, User-Generated, Digital Performance Edition of Richard the Third.” The Shakespearean International Yearbook. Vol 14. Eds. Tom Bishop and Alexa Huang. Ashgate Press, 2014. 69-100.

Roberts-Smith, Jennifer and the SET Research team. “Visualizing Theatrical Text: from Watching the Script to the Simulated Environment for Theatre (SET).” Digital Humanities Quarterly vol. 7, no. 3, 2013.

Ruecker, Stan, Ali Grotkowski, and the SET Research team. “Abstraction and Realism in the Design of Avatars for the Simulated Environment for Theatre.” Visual Communication vol. 12, no. 4, Nov. 2013.

Conference Proceedings

DeSouza-Coelho, Shawn. “Autoethnographic Game-Making and Racialized Space: Tensions, Assumptions, Productions.” Race in Games and Game Studies, Waterloo, ON, December 2023.

Roberts-Smith, Jennifer, Shawn DeSouza-Coelho, Paul Stoesser, and the SET Research team. “Cambridge Revisited? The Logistics, Semiotics, and Phenomenology of Virtual Theatrical Space.” Renaissance Studies + New Technologies. Renaissance Society of America, New York, 27-29 March 2014. Peer-reviewed.

DeSouza-Coelho, Shawn, Jennifer Roberts-Smith and the SET Research Team. “Manipulating time and space in virtual worlds: design directions for the Simulated Environment for Theatre.” Society for Digital Humanities/Société pur l'étude des médias interactifs, Congress, May 26-28, 2012.

Grants and Awards

Canada Graduate Scholarship - Doctoral, 2024-2027

Canada Council for the Arts Circulation and Touring Grant, 2024

Ontario Arts Council Theatre Projects Grant, 2024

Ontario Graduate Scholarship, 2023

Canada Council for the Arts Explore and Create, 2019

Ontario Arts Council Recommender Grant, 2017

Tyrone Guthrie Award, 2016

Mitacs Accelerator Grant, 2015

Grade Average Award, 2015

Ontario Arts Council Recommender Grant, 2013